Is ‘살목지’ the New Horror Sensation in Asia? Discover Its Record-Breaking Weekend!

Daniel Kim | 2026.04.13

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 Showbox, The Lamp
 Showbox, The Lamp
[Herald Economy=Son Mi-jung] A bone-chilling horror film that strips away the warmth of spring has quietly become the season’s surprise dark horse at the box office. Salmokji, led by Kim Hye-yoon, is spearheading a wave of intense horror releases that have frozen both theaters and living rooms this April, even outpacing A Man Living with the King and Ryan Gosling’s sci-fi Project Hail Mary.

According to the Korea Film Council’s integrated network on April 13, Salmokji drew 536,294 viewers over its opening weekend (April 10–12), securing the No. 1 spot at the box office. Since its April 8 release, the film has held the top position for five consecutive days. The story centers on a mysterious figure captured on a Salmokji road-view image and the escalating terror a film crew faces when they travel to a reservoir to reshoot and encounter something dark and deep in the water.

The film is the feature debut of director Lee Sang-min, who made a name at domestic festivals with shorts such as Dollimchong and Hamjinabi. It also marks the screen return of Kim Hye-yoon after a four-year hiatus, reaffirming her status as a modern “horror queen.”

 Showbox, The Lamp
 Showbox, The Lamp
The film amplifies the fear of the unknown through inventive cinematography—employing 360-degree panoramic cameras, motion directors, and other techniques—to deliver a visceral, immersive fright that audiences have praised. Boosted by that buzz, online communities filled with jokes over the weekend about Salmokji becoming a late-night “tourist” hotspot, with some users quipping, “Even the ghosts would run from all that noise.”

On April 22, Lee Cronin’s The Mummy—produced by James Wan of The Conjuring franchise—arrives in theaters. The film follows a family whose young daughter, missing for eight years, returns as a living mummy, forcing them to confront an ancient curse. Cronin, who demonstrated a distinct horror sensibility with Evil Dead Rise (2023), directs.

 Showbox, The Lamp
 Showbox, The Lamp
Twisting the mummy myth into something truly unsettling, the film tracks the terrifying aftermath after the missing daughter returns alive but displays increasingly disturbing behavior, dragging the family into a grotesque, nightmarish descent that pushes the horror to its limits.

On the small screen, Netflix’s original series Girigo premieres on April 24. Positioned as the streamer’s first Korean YA (young-adult) horror series, Girigo follows high school students who, after receiving death premonitions tied to a cursed wish-granting app, scramble to escape the app’s deadly consequences.

 Showbox, The Lamp
 Showbox, The Lamp
The series is director Park Yoon-seo’s first solo main directing role—he previously co-directed the drama Moving—and features an ensemble of promising newcomers including Jeon So-young, Kang Mina, Baek Seon-ho, Hyeon Woo-seok, and Lee Hyo-je. Park said he employed first-person POV shots, body-cam perspectives, and Atmos sound design to heighten spatial realism and to allow viewers to experience the characters’ fear alongside them.